>amigo< is the sound of friendly nature – deeply rooted in the music of latin america, and at the same incorporating latest recording technologies, this is the music for both extensive club use and advanced home listening. few minutes into its gentle, shimmering aura – and it becomes clear that this is the final and most perfect record of any latino-techno artist. submerged in warm, mid-tempo percussion arrangements, piers tracks leave a lot of room to breathe and let go of ones imagination – forming a soundtrack to virtually any activity an open mind can undertake.

it has been the sweetness and warmth of the city of hamburg, its delightful venues such as the golden pudel club and smallville parties at ego that made him diving into deepest music. after >ne travaillez jamais< became the favorite track of all smallville and dial djs and rau played on one of those magic nights the idea of an album was born. the plan was as simple and lovely as the music on asper clouds is. here comes the sun.

suckafish p. jones, the self-proclaimed ringmaster of voodoo electronics, returns to evil up your soundsystem with his second ep for disboot records, >mr midnight<. released on 12 inch vinyl for disboot records, suckafish summons up four tracks of jagged robot funk from the depths of the swamp. perverting the tropes and conventions of uk garage, grime and hip hop, ?mr midnight? combines pulsing low end rhythms with possessive melodies to create a soundtrack to that full moon night that never ends. sleazy, emotional, violent and ecstatic at the same time, suckafishs latest offering maintains his reputation for productions that ignite the dance with raw, infectious energy and humour.

after several releases on mathematics as contra communem opinionem, cco presents his latest release on the promising new label lux rec. with his impressive ep the secret life of a transistor bassline cco proves us once again his ability to space out and rock hard at the same time. what more do you need? this journey starts off in the sewers of a miserable city on the western hemisphere and takes us higher until we freely float in space. as we move at the speed of light but with no perception of time, we eventually land on planet venus. this is where jack inserts his pleasure plug into the acid machine and sets off a dirty romp. in our quest for the secrets of life, we thereafter push boundaries further and explore even far away galaxies. always bearing in mind the infinity of time and space.

first on decks.de !!!a fancy franco-german remix session full of thriving techno pleasure. oui oui!
a1: rejdowak (from karaoke to stardom remix) well known french fellow from karaoke to stardom digs in the depth of electronic mystery by designing complex rhythmic sound patterns carried by, well… a pretty dominant bassline! what else do we need?
a2: rejdowak (freak de philipe vs parasit remix) light-hearted pounding techno attitude with a humorous slightly ironic touch, this implements a wise smile on the faces of true electronic music enthusiasts.
b: fm melodie in e-moll (kettenkarussell notbremsen remix) kettenkarussell from weimar manage the impossible: completely transforming >melodie in e-moll< by neal white while at the same time keeping much of its spirit. they create an elegant and gentle groove which smoothly seem to transform into a hip-hop beat. well, thats not the end of the story! experimental and extraordinary.

wall of death. the third single of make the girl dance is set up. set up as the inevitable episode iii of the most anticipated electro trilogy ever rocking its own small planet for the last two years. the same tiny world first devastated by an unparalleled earthquake, the massive hit single “baby baby baby” and its amazing 15 million internet video viewing – frances most seen video in 2009. the home straight before the album release due for the beginning of 2011: make the girl dance is once again showing its teeth, ready to bite and to tear to shreds the dance floors with this new single already remixed by the cyberpunkers, stereoheroes and the killers rabbits

our dutch counterpart onno is known for his dance floor mastery. his after school ep on upon you was a multifunctionalmover that could teach any lethargic raver a few aerobic moves. >hit me< is in the same league and is completely unsuitable for yoga and pilates, so hes succesfully targeted the blonde dance instructor once again. onno brings the a1 fatburner to a peak with his charming impertinence. thomas schuhmachers pimped version of this awesome rave stepper on b1 tugs and pulls at your pants dragging you kicking and screaming to the dance parquet, where you soon realize that you never want to leave, but for those of you that want to lose some weight also know that you always need to condition yourself and >ghetto talk< on b2 is the perfect bouncy tune for that hour or so on the treadmill.

first on decks.de !!! advanced electronics with an distinctive argentinian touch.
a1: liquen - a wide range of experimental yet carefully chosen sound structures framed by a massive rhythm section - south american new school techno which is gloomy and beautiful at the same time.
a2: neutro - motorized intensity focussing on a unique variety of obscure twisted synths - haunting sound art for minimal diehards.
b: rain cover - a deeply refreshing slice of minor-key-based musical stimulation, dominated by plain rhythmic patterns and riddled with subtle sound effects.

wow! can this label get ay better? after three absolutely rocking releases, jamie jones & lee fosss stupendous new label hot creations, unleashes another absolute corker of an ep! burnski (20:20, poker flat, morris /audio) & robert james (hot creations) deliver an irresistible slice of heavenly house pie. the title track >malibu< is something very special indeed, an effervescent, super-groovy, disco-tinged, house hybrid, with detroit inspired chords and a hooky-as-hell vocal too boot! the flip side features another choice cut from the same stable, >perception<. hot as hell, and again so, so catchy youll dance yer socks off! finally jamie jones delivers a fantabulous remix of >malibu<, adding a sweet guitar lick, a new vocal, and a monster of a breakdown and bassline! again another sure fire winner from the hot creation crew. burnski has recently released >coming home< on 20:20, whilst robert james and jamie jones have recently remixed last years >summertime< anthem by jamie for release on crosstown rebels in the very near future. these tracks have all been proving a hit with this summer wit the more discerning jocks. a fantastic release from a great talent, on a label that is proving to be one of the hottest around this year!

new label tribal groove emerges from the same southampton school of talent we can be thankful for the likes of james talk & james zabiela. tom budden provides the 1st release.

>bite sized beats vol. 1< has two smoking cuts from flapjack veteran wattie green. the first cut >flip mode< is a great throwback to the jack of i:cubes hit disco cubism. utilizing the same slammin key sample, wattie slices it up just right and puts in the smoker very early in the morning. after about 8 hours, it comes out and is seasoned to perfection with his solid beats and break wisdom resulting in one hell of a delicious dance floor bomb.

next up on nang we get tooled up with our disco pick-axe to mine one of the most authentic italo vaults, that of once-forgotten-but-now-hero-again beppe loda. having begun djing in brescia aged 16, loda was resident at gambaras soon to be legendary typhoon club from 1980 until the club closed in the same year as the paradise garage, a year before acid house officially began in 1987.

rusty egan and steve strange brought you the blitz club in 1980, the cradle that not only spawned the musical soundtrack to a generation but also the styles, fashions and very fabric of the 80s. thirty years may seem a long time to wait before launching a record label of the same name but the sound of the blitz is as fresh today as it was all those years ago on a side street off covent garden.

with vernissage one on trapez ltd amir kicks off a beat which could have been written by herbert. as amir says himself his beats are ongoing a constant change, nothing stays the same. >cadaques< indeed highlights a spiritual quality that is expressed by ethno sounds, constantly shifting dynamics and a feeling for deepness

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

mr konfuze & lunatic as known from manmade feature funk and for their sureshot track >on the beatbox< come again with their first extended player! employing the original techniques and artform of sampling they bring the bomb track >dont wanna lose it< in two different versions for your dancing pleasure.
mixing uplifting disco piano, slamming breakbeats, electro-synth, funky rhodes, and pop vocals to create a catchy sound chopped up inna hiphop style - familiar to anybody and outstanding at the same time.

mule electronic proudly announce the first release of sebastian mullaert solo. this release is a single cut from the fist mix cd of sebastian mullaert aka minilogue. the mix cd will be released at the same time with this single&new minilogue single on mule electronic.

detroit artist jason fine is back with a follow up to his critically acclaimed future thought album. the master of the introspective and personal techno sound gives us another killer release, once again transforming daily life experience into beautiful and moving deep techno and house. jason fine continues to play around with layered melodies and harmony mixed with raw and funky drum programming. the ep opens with the track orange, a beautiful monotone organ based techno track, revealing hard times. violet continues in the same vein. blue melodies play around over minor organ chords and heavy kick drum. on the inner tracks blue and red jason with confidence moves into the electro territory, still keeping emotion and atmosphere up front. even though the concept behind this ep is the full color spectrum, the mood is all over blue.

13:58 minutes of cha-cha-disco by santa esmeralda. comes with the same track on both sides.

a satin latin mix, featuring 11 non-stop minutes of the finest high energy dance music! (same mix on both sides)

get ready for some heavy bass infusion. those who witnessed the infamous audio injection vs. drumcell collaborative 6 hour set at berghain in may could sense the raw and direct path of the uncompromising heavy bass-lines they walk on, yet they possess a subtle sensitivity making this audio experience a physical and mental journey at the same time. with his first ep on electric deluxe, audio injection captured this dark and raw spirit in a perfect way. his tracks move effortlessly from percussive high hat funk to heavy bass-line assault, call it techno coolness. all tracks are dancefloor focused, but contain a healthy dose of weirdness, giving the them longevity while still being functional, spot-on material for the floors typical for electric deluxe releases. the vinyl version of >operation a< is being accompanied by a none other than speedy j himself. the remix has his signature flow, shifting, rich soundscapes layered over a forward bassline sketch. music for minds in dark places.

hailing from leipzig in germany is an artist whos music has been pricking up many ears across the global underground over the last few years. its hard to put a finger on what it is about kassem mosses productions that make repeated listening a must, but the intricacy, fresh arrangements and musical depth definitely play a part in attracting labels such as the highly respected techno imprint workshop, the legendary soma records and now nonplus are honoured to present his latest 12 inch. a) kassem mosse – >we speak to those< first up on the a-side we have >we speak to those< a 4/4 track of the highest quality that keeps you guessing from start to finish. the rugged and raw kick and bassline immediately set the foundations for the incoming awkward chord stabs whilst reversed beats lazily slur in and out over the main groove giving the track the unnerving feeling that its almost changing tempo. random sound effects and a non conforming arrangement make this track about as predictable as the english summer. one listen to this and youll immediately understand why this artist is getting love from some of the scenes biggest players at the moment. aa) kassem mosse – >hi res< phased drum machine breakbeat patterns and stutered percussion redolent of the early detroit techno uprising give this track an outstanding quality of being able to conjure up the same feelings of hope and optimism for electronic music that the aforementioned era managed to. thought provoking chord progressions take your mind on an excursion to the future and leave you gagging for an extended trip. think skyways, flying cars and towering metal buildings footed with dark abysmal underworlds and youll get the drift. they don t come much deeper than this one

it was just a matter of time for marco zenkers first vinyl on ilian tape. after 3 digital eps, a handfull of rmxes and one side on the harry klein 001, he strikes back with his probably most impressive cuts to date. marco experienced many mysterious moments on munichÆs dancefloors so far. munichs dancefloors are mysterious for those who know. the time will bring changes. force back lay down and wait. jump on, turn around and move. open up and sing. prepare your body for her and come back. more or less thats marcos intention on his first own 12 inch. its deep and smooth, at the same time energetic like a bavarian thunder.

to support his just released alien artform album, delsin puts out the 2nd dimension 5 12. this 3 tracker continues where the lp version left us: 3 brand new tracks (only network was released on cd only). this one comes for the dancefloor. it opens with dark city, an haunting, melodic 4-floor techno track with those old skool drum sounds. dope! the b-side holds 2 tracks in the same vein, where music box film-esque, like derrick may used to do, and gradually builds up. network is a more soulful tracks, playing around with some nice synths and reminds of old insync / irdial stuff.

right in time for summer oslo presents us two promising talents from romania named noidoi. they fit perfectly into the exceptional talent round of oslo and let us hope on a hot summer. aprilli 9 on the a side is a classic piece with wonderful house chords, which kept the audience by his extraordinary sound. noidoi opens up on the b side with aprilli 6, a title with no less high quality. the sound is definite more electronic pronounced than on the a side. trebor, impulsive and at the same time groovie is ideally suited for the somewhat late hour and rounds the ep off with his deepen mood.

on the staygold album you will find collaborations with such diverse artists as spank rock, damian adore, robyn, kudu, mehdi, mapei, lady tigra and many others. the staygold duo have a knack for working with just those people that are about to explode. same goes for the remix duties. on this first worldwide release of a staygold track, >video kick snare<, is remixed by none other than slagsmÕlsklubben (kitsunÚ), hugg & pepp (the infamous dahlbõck brothers) and dada life (from that huge just beep me (satisfaction) track). no need for more promo-talk.
this is big!

incl lullaby ! a 1989 masterpiece by the cure, a sentimental, bittersweet and melancholic release. digitally remastered from the original master tapes by robert smith, pressed on heavy 180gr vinyl, including lyric bags.

arran was doing a photography course when she joined the band, and at her first rehearsal she brought along a notebook. written on it was dark room notes. we had gone through numerous terrible names, and felt this was one we could settle on. we were lucky she wasnt doing a knitting course.

excellent rmxs from delano smith , kink, chez damier, ethyl... any questions ??

2010 repress !!! it seems that tevo comes out of nothing delivering some house tracks that are as hot as they can get! as a teenager tevo was brought up in chicago during the haydays of house music. and there is no doubt that this left a deep impression on him! this record is another stomper with 5 basic tracks that have that same magic as early house records from the 80s! his first release on bgr was already picked up by several hot international djs and this one might even be better! great great record!

they live in the clubs, eat through their noses and sleep standing up. the cheapers do the same, but the title no groupies and ugly dancers is directed at the mean faced ravers and talkers that lurk in the dark corners of club. the cheapers are sending a message to all those types with this release, upon you 36. they begin by lighting a bonfire on a1, dancing around the fire like crazed polka-shamans, until the final minimal priest has thrown his bible into the embers. next they attack the unwashed go-gos, hobby strippers and ugly dancers on b1. eventually reaching out and apologizing to the shy and quiet real music lovers that like to sway dreamily on b2.

it is incredible and a little unnerving to discover that rio padices first forays in production came as recently as 2007. 2008 saw him publish his first productions on mosaik musik, which were of a more minimal, techno nature. 2009 saw the successful collaboration with metroline limited, which has spawned a a number of releases and remixes, most notably his road to alberqueque and twin peaks eps. the same year also saw rio join forces with massimo di lena under their new alias >horacio< to release two ep s on the highly acclaimed raum musik and cynosure labels.with rio currently devoting his time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them

with our number 4 we completed the circle, releasing a seleccion natural gem on any of our producers team labels. now its number five and we have decided to release our next works under the same flag: pole.

you probably best know lopazz for the quality, avant-garde club music like >i need ya< & >share my rhythm< hes produced for labels like get physical, cocoon rec. and londons legendary output recordings. lopazz is now back with a fantastic collaboration of the 80s sensation imagination enabled & co-produced by mexican artist beto >betoko< cohen.lopazz & beto met each other for the first time at azurara festival portugal in 2009, beto asked lopazz the same night, on the way to the festival if he wanted to work on the original imagination files with him, as his cousin eliot cohen, one of the worlds leading musicpublishers owns the rights on many international hitrecords. they started working on the files recorded on a huge analog ssl-console and the original 24-track tapes from 1982 at cohens red bus studios in london and it was pure magic! their first track, a remix of imaginations >new dimension< is the a-side on the gpm131. its been the first collaboration of the two producers and its a killertrack requested by many labels. lopazz is currently working on new film-scores for international tv and the next dj t. album. beto cohen is working on his next album and the follow-up with lopazz & imagination.s physical commissioned a subsequent remix 12 inch, featuring epic, forward-thinking versions from now firmly established chilean superstars luciano and ricardo vilallobos

>twin< from wikipedia, the free encyclopedia: >a twin is one of two offspring produced in the same pregnancy.< we doubt there is a relation in bloodline between the two artists that come together in this release, but there is definitely a relation in sound even before one might have taken notice from the other. one from the empire, the other from a fallen socialist country, but both pretty much on a similar understanding for music. welcome the extraordinary robaphex!

part 2 of the limited edition vinyl series for the >hi five mobilee< compilation is quite a contrast to its predecessor with more hip swingin housey vibes. moon harbours daniel stefanik first appeared on mobilee at the very early stages of the label, with his track >the bells< on the limited edition add-on release to pan-pots >obscenity< ep. back then his style was associated with old school sounds, detroit energy and chicago vibes, and his track for mobilee068 >tripiando los colores< shows that hes still rocking this to full effect. this is one for the summer! on the b-side of this release, label stalwart marcin czubala brings us >spinning la roulette<, which is sure to get the dance floor moving! straight in with a very funky bassline, playful percussion and hypnotic groove, it offers guaranteed fun on a plate. his recent release with hugo, zoo communale, stormed the charts and we hope you enjoy spinning la roulette in the same way!

they advised us not to sing reads the cheeky title of excentric chilean beatmakers los updates new ep . 4 tracks full of wicked grooves, raw and sweet at the same time and that particular discard of old rules that has become the trademark of producers coming from the land at the end of the world. of course released by nice cat! records

luca agnelli is a dj in constant evolution, that has done of variety of styles his trademark, experimenting uncommon paths and inventing innovative languages.
he has done remixes for claude von stroke, flat pack, meg and others, he has realized ep for some of the most representative international labels like mbf, dirty bird, laterra, manocalda, takt, mazoom.
now, a new experience, his own label, etruria beat records, a name that emphasizes his vocation to be connected with his land, a style, and at same time, unmistakably italian, but with a global vision. house, deep and techno that intersect, maintaining in the centre of his creative universe the concept of emotion.
as he says, >i love the music that sounds warmer and deeper, that has a soul.<
first release is all by his own work: >7 o clock< remixed by very prestigious international producers like lee van dowski (cadenza) and dj w!ld (catwash).

support by paco osuna, james blone, pablo rez & citizen kain
the original cut is an amazing deep minimal track produced by daniele petronelli, the official italian remixer of tocadisco, dr kucho, vandalism, christian fisher, spencer & hill and laidback luke, the track contain the effect of the facebooks chat plus a original female voice, is a bomb for minimal dancefloor. in the same side we find the mark ramsey remix with a perfect classic tech-house flavour with dynamic percussions, solid synthetic sounds and some voice cuts that are normally used this master of production. the first cut of the b side is mario miranda remix. this cut will rock all the dance floors around the globe with its powerful tech house sounds and rhythm. the last cut but not for that less important is the profesional remix of andrea mattioli & andrea di rocco, a perfect mix of sounds that will increase the cache of your sets with the professional sound of this two of best italian artists.

support by: christian smith, konrad black, joris voorn, timo maas, brothers vibe, josh wink, michael cleis, dominik eulberg, richie hawtin, rodriguez jr., wally lopez and many more, first up and delivering his take on the wonderful >chordy< is a young producer, cut from the same mold as babicz himself. a student on sonics, valencian, maetrik. staying true to the original, he adds a little grit and gives some teeth to already weighty bassline. spooky and expansive, but brilliant. taking the same track on groovy deep house ride is none other than 8bit head honcho and systematic regular, gorge. the mannheim producer, whos 2009 remix of chelonis r. jones >pompadour< is still a huge favourite, gives chordy a killer strut. matching the growling bassline and smooth as silk synths to fantastic effect. remixing >come closer< we are delighted to welcome the always in form, kollektiv turmstrasse, who turn in a remix that may surprise some. whilst keeping things deep as ever, kt take a more twisted, down tempo path

the same hammer that breaks the glass forges the steel.
new proxy = always a winner!
remixes: the bloody beetroots, noob, sound of stereo.
keep your ears wider and your mouth narrower.

after 2 very remarkable releases, the french label pilbus records is back on the offensive with this ep highlighting another label team member : macsim ganczarczyk. macsims minimal style is clearly represented in his part one original mix, decorated with dark tones mixed with cavernous atmosphere, and rolling around a heavy bass filling entirely the soundspace. you can feel the same darkness in the second track of this part one ep: a remix made by the probably most well known argentinian producer: franco cinelli, who shows his talent by completely changing the style of the original mix.

label on a is wrong - same tracks on both sides (hands of jahoviah + dub) - a-side cut at 33rpm, b-side at 45 rpm.

the story of this record includes one day in m(dm)ay, anarchic after-hours, laptops, gurner-djs and the need of pressing something that sounded nice, uplifting, somehow kompakt, pop-trance and just so convincing on a 12-inch. databoy78 thought the same and here we go with a seductive and hypnotizing drama. flip the script for a splendid remix by zurichs super dj lexx (zukunft, sometimes known as kawabata and switzerlands version of dj premier back in the day) who houses tings up and giving away a dope swiss beatz excursion on top of it all. lemonade was a popular drink and it still is.

detroit underground introduces the thirteenth installment to their formidable series. function kero ep maintains the same complex connection to abstraction as its antecedents. three remixes from the most surreptitious circles fracture and fuse musical styles from, detroit techno, dubstep, minimal to popping tech-house, all keeping with det.unds signature idm/glitch sound. much like a puzzle piece or a clue vol.13 brings you closer to the core of the 313

>vibrational studies (in echospace)< is an alternate version of album opener >in echospace< and revolves around a relentless cycle of washed-out analogue loops layered around submerged field recordings and electric currents that somehow propel the track while at the same time immersing it in one of the headiest mixes hitchell and modell have ever recorded. >symbolism in transition< finds modell deploying a deep and padded configuration with a sort of late night shuffle so beloved of move d, all squashed house vibes, sparkling melodic currents and bursts of barely- there white noise û its a gentle, beautiful thing.

tracks with the license to drive you mad! nothing less what you can expect from this ep from germanys upcoming sven kegel aka drehkontrolle. sharp production with sound(e)scapes that are weird but straight at the same time. real hidden secret weapon for your case, thx god you have it on vinyl to listen to this nice bass!

great triple vinyl full of funky house and downbeats, made by charles schillings & pompon f. in 2001.